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Simeon |
"Fine Arts: Exhibition of the Royal Academy." The Illustrated London News, 13 May 1865: 451.
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It is curious (to diverge partially from the class of painting of which
we are speaking) to find how often in this exhibition the same
fundamental principle of art is violated. Take, for instance, two
pictures which naturally associate themselves in one's memory--Mr.
Burgess's "Bravo Toro!" (304), a group of spectators at a bull-fight;
and Mr. S. Solomon's "Habet!" (431), a party of Roman ladies witnessing a
gladiatorial contest. Both give unmixed pain, or may afford a morbid
gratification, but neither has a sufficiently evident moral intention.
In the one the imagination is driven to figure the bull goring man or
horse--doubtless the former, one horse or a dozen being of little
account; in the other the exclamation "He has it!" leaves us in no doubt
that a mortal thrust or blow has been delivered, and is the more
revolting because women are the willing or delighted spectators. In Mr.
Burgess's picture, the variety of character and expression is very
admirably discriminated; but Mr. Solomon has ventured rather beyond his
powers, both in scale and subject: the drawing is inaccurate, the
modelling weak, the colouring mannered. (page 451, column 2)
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